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Is 'Culinary Heritage' a Good Idea? Print
UNESCO is poised to pick its first culinary heritage. Historian Rachel Laudan asks whether that's wise.
  |   Monday, 01 November 2010   |   01:00

Historian Rachel Laudan questions whether UNESCO should designate cuisines a form of intangible culinary heritage.This month, it seems likely that UNESCO will announce that for the first time it is designating one or more of the world's culinary traditions an Intangible Cultural Heritage. This category, established in 2003 as a supplement to the better-known category of Tangible Heritage (castles, cities, landscapes), was created to protect traditions in the developing world by encouraging tourism. Already tango, Croatian lace making and Sardinian pastoral songs have been chosen.

This year the leading culinary contenders, both repeat applicants, appear to be Italy, Greece, Spain and Morocco for the Mediterranean Diet, and Mexico for the indigenous cuisine of certain villages in the state of Michoacán. If UNESCO finally gives food the official heritage nod, it's likely that others will soon follow. Already in Britain, the National Trust is launching a campaign to preserve traditional British tastes and the European Network of Regional Culinary Heritage has a few dozen members, mainly in Scandinavia, Germany and East Europe.

Should we cheer? Perhaps. It good to see credit going to cooks who imbue a place with its identity as much as its stonemasons or architects. About time, too, to make explicit what we all know: cuisine is more than just ingredients and processes protected by denominations of origin. However fresh and local the fruits and vegetables, however finely crafted the cheese or wine, it's the totality of the eating tradition that counts. And if recognition of culinary traditions by some official body boosts tourism, which is what the heritage industry is all about, then that's good too.

Indeed at first blush, the UNESCO project for culinary heritage seems so self-evidently a good thing that only a grinch could grumble. On closer examination, though, it's plagued with problems, not the least of which is the very possibility of preserving cuisines.

Culinary traditions change

Take the cuisines of the Mediterranean. In prehistory, these were based on barley bread and porridge. In the Roman Empire, the cuisine changed to one based on wheat bread, fish sauce, and salted meats and cheeses. With the spread of Christianity and Islam, the cuisines north and south of the sea diverged, with Christians emphasizing pork, lard and fish, and Muslims eschewing pork and wine and favoring sheep fat. In the 18th century, tomatoes began creeping into the diet and low-acid olive oil became popular among the upper classes. A century later, new national cuisines were created as Italy was unified and the Ottoman Empire broke up. That there was something called a "Mediterranean Diet" that unified these changing, competing cuisines was given currency only in 1975. Its originator was an American scientist, Ancel Keys (inventor of a balanced ration for soldiers in World War II named K-rations in his honor), who published a book with his wife Margaret, "How to Eat Well and Stay Well the Mediterranean Way."

Much the same applies to the corn, beans and chilies that the Conservatorio de la Cultura Gastronómica Mexicana, the group promoting Mexican cuisine to UNESCO, identifies as the unchanging foundations of Mexican cuisine from its pre-Hispanic past. Yet the people in the territory that is now Mexico have been eating bread, noodles (fideos) and rice for about 500 years, and their signature dish -- mole -- has roots in the Islamic cuisine of medieval Spain. To exclude these contributions to Mexican culinary heritage is to write out much of the country's history and many of its people. To try to freeze the cuisines in time is like commanding the tide to stand still.

Even if it were possible to stem the tide of culinary change, it's not clear it would be desirable. People change their diets for good reasons, including access to new ingredients and technologies, the appeal of variety, and improved nutrition.

Unintended consequences of preserving culinary tradition

In the Roman Empire they shifted from barley to wheat because they preferred raised bread to barley bannocks. Centuries later, tomatoes and dried pasta opened up a world of quick sauces and a delicious, near-instant staple with a long shelf life. New techniques make kitchen life less laborious as well. Grinding wet corn for tortillas the traditional way -- on the knees, pushing stone across stone -- was five hours of exhausting, arthritis-inducing hard labor for Mexican village women. Only in recent generations has the invention of electric mills and instant mixes relieved women of this drudgery. When replying to critics who protest that the tortillas do not taste as good, Mexican women agree. The choice is worth it, they argue, because they can spend more time with their children, make crafts for sale, or take a job so that their children can stay in school. Why should they be denied that option? Let's record and remember their labor, not preserve it.

Selection process for UNESCO project unclear

Compounding the problems of viability and desirability that dog the UNESCO project is the fog that obscures how culinary traditions are to be selected, adjudicated, administered and monitored. Candidates for intangible heritage designation seem to be picked by lobby groups, often already familiar with UNESCO procedures. It is they who apparently choose the projects, get permissions from the chosen community and endorsements from their national governments, and then deliver the paperwork to UNESCO. Who funds this and why is obscure.

Then, off in Paris, a committee chosen from a complex rotation of member states, expert or not in culinary matters, judges the proposal. The Economist in a recent critical article called for the annual meetings of the older World Heritage program, including the proposals and the constitution of the committee, to be thrown open to the public. Surely this should apply to the Intangible Heritage program as well. Totally unclear from the UNESCO web pages are how designated projects are to be administered and who monitors them to assure that standards are maintained.

So what seems at first to be a careful selection of some of the world's greatest culinary traditions turns out on inspection to be a process of dubious intellectual worth, clouded and probably politicized decision-making, and poised to become marshaled in support of a knee-jerk nationalism. As David Lowenthal, author of one of the foundational studies of cultural heritage, "The Past is a Foreign Country," has made clear, the safeguarding of heritage is a two-edged sword. It can, at its best, encourage local pride and cooperation as well as drawing tourists to an unforgettable experience. All too easily, though, it can become an end in itself, blocking the change that keeps societies alive and making second class citizens of minorities, migrants and others who do not share the heritage.

UNESCO's program is just the latest in a series of efforts to give form and shape to a pervasive culinary nostalgia, the disquieting feeling that somewhere, sometime food was better, tastier, more natural and more healthful, that there was a Mediterranean diet or a Mexican cuisine untarnished by migrants, industrialism and change. Like "authentic," "terroir," "slow" and "local," all used to try to pin down our yearnings, each catching the mood of the moment, culinary tradition as intangible heritage turns out upon examination to be not quite up to the job demanded of it.


Rachel Laudan is a historian and freelance writer based in Mexico City. Her book, "The Food of Paradise: Exploring Hawaii's Culinary History" earned her the Julia Child/Jane Grigson Prize from the International Assn. of Culinary Professionals. She is currently completing a book on the history of the world's cuisines which will be published in 2011 by the University of California Press.


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Thanks for those comments. I remain unclear how a UNESCO designation will stop the incursion of fast food chains and whether it US fast food chains are the target or whether Mexican ones such as Pollo Feliz and Sushi Itto are included.

On mole, if you go to my blog (www.rachellaudan.com) and click on the mole tag, you will find a dozen entries debating the history of mole. Would love your comments there since this is a distinct issue from the Soapbox piece.
rachellaudan , November 15, 2010
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Here is also the site of the Gastronomic Conservatory of Mexico.

http://www.ccgm.mx/CCGM/Intro.html

and this site I like because of it's vast information.

http://www.culinariamexicana.com.mx/index.htm
a guest , November 10, 2010
Hello again
Well forgive me if I sounded rude I just wanted to clarify a couple of things. Now that I've your article more in debt I have one more critique. Mole doesn't have its origins in Moorish cuisine. Mole has been a sauce made since prehispanic times , specially in the Southern states. Now mole poblano is debated in having moorish influences because of its ingredients and it might so, but its base is still indigenous. Not sure if it would help but here's an article about how all of Mexican cuisine will be included, it's in Spanish though. Now by your article I see that you believe that the cuisines under this designation will be frozen to never continue to be able to evolve as they have for generations. But I believe that the intention is more to protect ones culinary heritage by encroaching World Cuisine, mainly fast food, and restaurant chains. I've been living in Okinawa for about 6 months now and have seen how fast food has affected the traditions of this island. Many young people here shun their parents food, they instead eat McDonald's or pizza. I've been surprised to see the growing obesity on this island. I only share this example of why culinary techniques and heritage should be preserved. New ideas do make things run faster but many times they aren't always healthy choices. I've read many articles where Diana Kennedy is angered to see foreign products entering Mexico that are not naturally grown.

http://www.terra.com.mx/Turismo/articulo/984403/ Gastronomia+mexicana+podria+ser+Patrimonio+de+la+Humani
dad.htm
a guest , November 10, 2010
Responding to post on the Mexican submission
Dear Guest (if only I knew your name so that I could greet you properly),

I am saddened that you think I have misrepresented the Mexican submission. I have been following its ups and downs for the past half dozen years in Reforma and El Universal, in academic articles, in the monthly food seminar in the Instituto de Investigaciones Antropologicas in the National Autonomous University of Mexico, and in discussions with Mexican friends, pro and con. I have indeed read Oaxaca al Gusto and am currently corresponding with its author, Diana Kennedy, who raised with me the question of the foreign origins of the Oaxacan comiscal (buried tandoor-like pot) and quesillo (cheese). To the best of my knowledge I have read nothing about the submission in the English language.

I am stunned by (and regularly publicizing in English) the extraordinary job Mexican gastronomers and intellectuals have done in the past couple of decades exploring, recording, investigating, and promulgating their cuisine. I think of the 56 books on indigenous and popular cuisines, of the restaurants opening offering traditional cuisine, and of the congresses and meetings.

It's important to do so. Mexico is changing very rapidly from a rural to an urban community; it's now 70% urban. People have fridges and gas stoves and buy their food in supermarkets.

I remain, however, unconvinced by the UNESCO submission. I worry about its reading of Mexican culinary history as a simple building on the indigenous, about its identification of maize cuisine with national boundaries, and about the opacity of the process.

There's an expression in English: reasonable men (and women) may disagree. This debate is not between foreigners and Mexicans but between all who love Mexican cuisine about how to proceed. I would love to continue talking with you about this here or on FB or on my blog.

Rachel
rachellaudan , November 09, 2010
Continuing discussion with Marcella Hazan
Marcella, Thanks for continuing to clarify your position. We agree, I think, that how we incorporate tradition into a changing present is key to a balanced and civilized society. The distinguished historian Peter Brown puts it beautifully. "How to draw on a great past without smothering change. How to change without losing one’s roots. Above all what to do with stranger in one’s midst--with men excluded in a traditional aristocratic society, with thoughts denied expression by a traditional culture, with needs not articulated in conventional religion, with the utter foreigner from across the frontier. These are the problems which every civilized society has to face."

Where we differ is in emphasis. I am much less struck than you are by the trampling of culinary values or attacks on identity. As I said, I am struck by the extraordinary and diverse ways in which individuals and groups are continuing, recording, and celebrating different culinary heritages in the home and in public settings. I am thrilled to see the "strangers" Brown refers to being able to create their own culinary identities.

So my worry about UNESCO project is not that it is weak but that it is too strong, that it gives the appearance of magisterial deliberation that will all to easily lead to curiously-defined cuisines being given what are perceived as gold stars with, I predict, a following wave of chauvinism.

I compare that with your work in recording and disseminating Italian cuisine, work that allows readers a window into a new world and the opportunity to partake of your heritage. Give me the latter every day.
rachellaudan , November 09, 2010
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Oh I forgot, on the touristic side Mexico also wants to clean the bad image that the U.S. has spread about what Mexican food is. Most people know that Mexican food isn't unhealthy and that the only things that are served at restaurants are "antojitos," a kind of Mexican fast food. It's kinda like saying that Americans only eat Burgers and Hot Dogs.
a guest , November 09, 2010
Hello
We'll I think you have misunderstood what Mexico is trying to protect. First off, the designation wont be only about the Cuisine of Michoacan it will actually include the whole country. Michoacan is just being used because the indigenous cuisine is the most traditonal and less influenced by European techniques. It also wont be limited to indigenous cuisine, actually they are only using the indigenous cuisine as the root to the uniqueness of Mexican food. I think the problem is that you have only been reading English articles. There are plenty articles in Spanish that actually explain what is being protected. What the country wants is to protect the diversity of the ingredients that are used because many, chiles, corn, and beans and becoming scares because of mass production one type of breed. You should really read Oaxaca al Gusto. I was surprised about the variety of food, had no idea that they make tamales using plantain, wheat, and yuca flour and corn husk or banana leaves aren't the only leaves used to wrap them in.
a guest , November 09, 2010
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Rachel, I was glad to receive your illuminating exposition of the issues on which I had commented. Let me admit straight off that I haven't the slightest idea of how UNESCO intends to safeguard culinary heritages and however well intentioned the concept may be I have no illusions about how far its realization can rise above trite formulas and parochial self-interest. I have, however, a deeper attachment to culinary traditions than you appear to feel, an attachment based not on sentimentality, but on sentiment, not on nostalgia, but on practice. I make pasta and meat sauce today as my mother made it, and as my father's mother made it, as she learned to make it when she was six. The early 19th century is still active in my 21st century kitchen. To trample culinary values arrived at by consensus over well-remembered time out of the urge to stay abreast of modern life - or in the name of creativity - is an act of barbarism that has already brought and will continue to bring irreparable damage to social fabric, it is an attack on the identity of those of us who still have one. This is happening everywhere and ceaselessly. I will continue to cry out against it, and I will support any action, any movement that can retard it. However politicized and small-minded and flawed and feeble the UNESCO project will be, it is one small hand stretching toward a heritage that is inexorably sinking out of reach and out of sight.

Marcella Hazan
Marcellamm , November 08, 2010
Rachel Laudan replies...
Marcella, what a delight to be able to discuss these issues with you.nnLet me begin by having another go at explaining why I am not sanguine about UNESCO offering "the hope that what remains of the treasures of our table can be salvaged."nnDiscussions of this UNESCO initiative highlight tourism and the latter is certainly central to Mexico's understanding of its submission. I assume this means restaurants, food festivals, perhaps artisans selling local foods, but in all cases money. I have to ask, though, whether and if so how it includes the home cooking that that you celebrate so eloquently as central to culinary patrimony.nnIn the same vein, I understand that both French High Cuisine and Korean court cuisine have already been turned down as insufficiently communitarian and too elitist. If true, this reinforces the impression that UNESCO's criteria are not primarily taste and tradition and that many of the world's most appreciated cuisines could be excluded.nnFinally, since we have a multitude of histories, memoirs, cookbooks, museums, libraries, foodways groups, restaurants, conferences, festivals, cultural and tourism ministries, university courses, and cross-national food organizations dedicated to recording, preserving and promoting culinary heritage, since like you I am skeptical about bureaucratic endeavors, since the UNESCO program so lacks transparency, what does it add to the initiatives already in place. nnTo turn to your concerns about my attitude to culinary patrimony, far from dismissing affection for the food of my grandmother, her butter hand-churned from the milk of our Guernsey cow, her scones and jam from raspberries in the garden, her meat pies and puddings, her jugged hare topped with forcemeat balls green with herbs served in the brown earthenware pot are some of my fondest memories. To this day I remain a dab hand at jams, short crust and hot water crust. nnThe butter, milk and jugged hare have disappeared from my kitchen though, and not just because I left England. Circumstances have changed. Milk with 4.5% butterfat is not to contemporary taste (too bad by the way), a hand milked cow is not easy in the city, nor shooting my own hares, and even if I could find a butcher who sold hare, I doubt I could also get its blood to thicken the sauce. I see no avoiding the fact that my grandmother's cuisine will seem as distant to my grandchildren as the cuisines of Shakespeare's England or Renaissance Italy do to us.nnMeantime my cuisine has changed with time and place, dropping what no longer fits, adding dishes that speak to me, the pot roast I encountered in Pennsylvania, the country ham of Virginia, the pork adobo and vinha d'alhos and shoyu chicken of Hawaii, the tortillas and salsa of Mexico and yes, those from cookbooks too, among them pasta, something I did not encounter until my late teens, and pork chops braised with marsala and red wine. I, like so many of your readers, was just delighted to be able to reproduce echoes of the fine but foreign cooking of Emilia-Romagna.nnFondness for my grandmother's food is different from nostalgia. Nostalgia passes over the fact that both my grandmother and my mother, proud as they were of the meals they put on the table, were intelligent women frustrated that the days spent gardening, preserving and cooking for large families blocked any hope of other options. Unlike me, they had no chance to study, to write, to experience different cultures. Nostalgia passes over the fact that in the decade when my grandmother was a young bride one in twenty Britons (and a far higher proportion of young men, many of them laborers on farms like my grandparents,' though of course not as many as in most other European countries) left the country for good, in search of a better life and greater dignity, part of which was being able to eat milk and butter and meat as my grandparents did. Their grandchildren do not look back to that meager cuisine with fondness but with relief that they have something better.nnFinally, there is the utter arbitrariness of fixing on the cuisines of a particular place and time. Why Michoacan, not Puebla, or Oaxaca, or Veracruz? Why, if talking about indigenous cuisines that do not map on to state or national boundaries, go with states or nations at all? Why grandmothers, a word that always makes me nervous when culinary change is discussed? Since as a historian, I know perfectly well that my grandmother did not eat like my great great grandmother nor like generations earlier I see no reason to fix on my grandmother's cuisine as the privileged moment in culinary history. nnRachel Laudan
robinrauzi , November 05, 2010
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Rachel Laudan rejects the UNESCO project for the safeguarding of culinary heritage as a “process of dubious intellectual worth, clouded and probably politicized decision-making, and poised to become marshaled in support of a knee-jerk nationalism” She speaks of “culinary nostalgia”, dismissing the affection for the tastes of the food of our grandmothers as a “disquieting feeling”, and coming to the conclusion that “culinary tradition as intangible heritage turns out upon examination to be not quite up to the job demanded of it”.
When it comes to bureaucratic endeavors, I am no stranger to skepticism. I am Italian and I feel an ancestral suspicion about any program administered by politicians. But this is the only world initiative available to us with the hope that what remains of the treasures of our table can still be salvaged. It is not intended to “stem the tide of culinary change” as Rachel suspects, but to retard the demolition and dispersal of our culinary patrimony so that a generation or more beyond our own can still draw on it.

Marcella Hazan
Marcellamm , November 03, 2010
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Brillinat, would like to add that cuisines of regions were shaped/ influenced by what the land produced, climate and later religion.
a guest , November 01, 2010

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